Fashion
The Most Iconic Red Carpet Moments of 2024, According to Bazaar’s Editors
The secret to creating a truly unforgettable red carpet look? Knowing how to tell a story about the wearer through fashion that captures the mood and spirit of the occasion. It’s all about elegantly making a moment without making a scene. Here, Harper’s Bazaar editors weigh in on the indelible, inspired, and instantly iconic red carpet looks that left a lasting impression on them in 2024.
Greta Lee in Loewe
“Greta Lee’s entire Past Lives awards run was a masterclass in red carpet glamour. Case in point: This stunner from Loewe’s Fall 2024 collection that she wore to the Oscars. It’s a prime example of her gift for making everything she touches (and wears) thoroughly her own.”—Samira Nasr, editor in chief
Yseult in Dior
“There was no greater vibe-shifting moment this year than singer Yseult wearing Dior’s iconic New Look on the red carpet at Cannes. It wasn’t the New Look of yore—far from it. Yseult’s updated suit was more modern and powerful, celebrating a woman’s form in its truest, purest sense. The white bar jacket and black skirt were a revelation—a celebration of boldness, glamour, and the body.”—Brooke Bobb, fashion news director
Taylor Russell in Chanel Haute Couture
“Taylor Russell graced the red carpet for the premiere of Beetlejuice Beetlejuice at the 2024 Venice Film Festival’s opening night with a very special archival look, originally worn by Claudia Schiffer in Chanel’s spring/summer 1993 couture runway show. This incredible dress made for an unforgettable cinematic moment on the carpet.”—Nicole Fritton, executive fashion director
Tyla in Tom Ford Gucci
“Fashion can be cyclical, but fabulous clothes are forever. The way Tyla breathes new life into this Tom Ford for Gucci 1995 look at the CFDA awards is a perfect example of that, and underscores the enduring genius marriage of Tom and the red carpet. She owns it and she knows it!”—Miguel Enamorado, accessories director
Hunter Schafer in Prada
“Hunter Schafer’s Hunger Games press run gave us some of the most exquisite red carpet dressing we’ve seen in ages, but this look, masterminded by stylist Dara, was a particular highlight. This Schiaparelli dress was almost reminiscent of a hand-painted mosaic, and the way it’s pieced together to mimic the figure of a woman’s body is divine. More importantly, she looks so beautiful and effortless—10 out of 10!”—Lynette Nylander, executive digital director
Rihanna in Christian Lacroix
“I nominate Rihanna at the BFC Fashion Awards in Lacroix couture from 2002 because this is what it looks like to have FUN with fashion. The audaciousness of the hat, the fur, the color, the fact that ‘It’s Lacroix, sweetie!’—it all amounts to a perfect red carpet look that only Rihanna could pull off.”—Leah Chernikoff, executive editor
Elle Fanning in Valentino
“Elle Fanning appeared on the 2024 Governors Awards red carpet in a show-stopping Valentino Spring/Summer 2025 collection gown from Alessandro Michele’s debut runway show. The sheer, embellished powder-green slip dress was paired with a matching fur-trimmed cape for a look that solidified her as the belle of the ball. She completed her ensemble with rings from Cartier and the brand’s out-of-this-world Mandragore necklace, which boasts a casual 79.38 carats.”—Jaclyn Alexandra Cohen, senior fashion & accessories editor
Zendaya in Givenchy
“Back in the late ’90s, pop culture was obsessed with computers and coding—this is of course what gave us The Matrix—but I don’t think I’ve ever seen the hacker aesthetic captured as elegantly as in this circuit board suit that Alexander McQueen created for Givenchy’s fall/winter ’99 collection. Zendaya wore it to a Dune Two premiere just a week after her Mugler robot suit moment, cementing her title as the queen of method dressing.”—Izzy Grispan, digital director
Carey Mulligan in Balenciaga
“Carey Mulligan’s archival ’50s Balenciaga look at the Oscars this year was absolutely swoon-worthy. It fit her like a glove and featured a cinched bodice, scalloped hem, white tulle train, and opera gloves—pure old-Hollywood glamour with modern flair.”—Julie Tong, senior commerce content lead
Chloë Sevigny in Dilara Findikoglu
“There’s nothing I love more than a good Chloë Sevigny red carpet look. She’s never afraid to really get weird with it—and her choice for this year’s Met Gala is the perfect example. Sevigny wore a custom gown by Dilara Findikoglu that was constructed entirely out of deconstructed Victorian silk bodices, skirts, and fabrics. On Instagram, Findikoglu wrote that she “wanted to create a dress that showed the beauty of traces of time; there is beauty in rotting, there is beauty in disappearing, there is beauty in the unknown.” I think that last bit, about finding beauty in the unknown, is what Sevigny excels in and what makes me love this look. It’s not what you expect, but once you see her in it, you can’t imagine anyone else wearing it the same way. There’s a beauty in pulling off something in a way no one else can.”—Tara Gonzalez, senior fashion editor
Tilda Swinton in Standing Ground
“Tilda Swinton stunned at the 2024 Governors Awards red carpet in Los Angeles in a bold, red, body-conscious gown from Standing Ground’s spring 2025 collection, designed by this year’s LVMH Prize Savoir-Faire Prize winner, Michael Stewart Dunne.”—Nicole Fritton, executive fashion director
Hunter Schafer in Prada
“This custom Prada look that Dara cooked up for Hunter Schafer during her Hunger Games tour at the Cannes film festival remains one of my favorites of the year. It’s just so crisp and demure and sexy all at once and Schafer looked like she was having so much fun in it.”—Leah Chernikoff, executive editor
Selena Gomez in Ralph Lauren
“When a legendary American designer dresses America’s sweetheart, it’s bound to create a big red carpet moment. Selena Gomez wore a Ralph Lauren tuxedo-inspired gown with dazzling rectangular-shaped beads and crisp white collar and cuffs to the Governors Awards. She glimmered with leaf-shaped earrings dripping in diamonds from Boucheron, and diamond rings to match.”—Jaclyn Alexandra Cohen, senior fashion & accessories editor
Da’Vine Joy Randolph in Louis Vuitton
“In a world of gimmicks and stunts, Da’Vine Joy Randolph’s look at the Academy Museum of Motion Pictures gala proved that all you truly need to steal the spotlight is a marvelously tailored dress. This custom Louis Vuitton masterpiece features an elegant off-the-shoulder bodice, with the waist flaring out into a cascade of blush pink chiffon, which pooled out at her feet as an ethereal train.”—Chelsey Sanchez, editor
Ayo Edibini in Prada
“When Ayo Edebiri showed up to the Golden Globes in early January in this red column gown, we should have taken it as a sign that she was going to dominate the red carpet all year round. Like all the best Prada looks, this one feels entirely current but—with the strapless silhouette and the train—also a little bit nostalgic, like it could have come out of some imagined old Hollywood past.”—Izzy Grispan, digital director
Jennifer Lopez in Schiaparelli
“For me, this Schiaparelli dress for the Met Gala red carpet hits the perfect note of high-volume glitz. The shimmering, goddess-esque Schiaparelli dress paired with the big, bold, almost aquatic treasure-of-Atlantis diamond Tiffany necklace gives her the allure of a modern mermaid, especially given her easy yet appropriate glam.”—Miguel Enamorado, accessories director
Emma Stone in Louis Vuitton
“I was obsessed with Emma Stone’s Golden Globes look this year from head to toe. I found the ease of her sleek, bouncy bob, paired with a custom embroidered Louis Vuitton gown featuring a deep V and high, center leg slit, utterly breathtaking. On the red carpet that night, she proved that less can truly be more.”—Tiffany Dodson, beauty commerce
Moeka Hoshi in Miu Miu
“Girlie and flirty, this Miu Miu gown worn by Moeka Hoshi to the Emmys adds a little jazz-era ease in the simple cut but then turns the volume up with fantastic embellishments. And she keeps things simple and cute with a blonde pixie cut.”—Miguel Enamorado, accessories director
Elle Fanning in Gucci
“I love the simplicity of this white gown and the festiveness of its shimmery silver bow and backless detail. Elle’s dramatic Old Hollywood hairdo and cat eye complemented it perfectly, elevating the glamour of the entire look.”—Rosa Sanchez, senior news editor
Zendaya in Mugler
“In 2024, we were graced with not one but two Zendaya press tours, making it impossible to talk about the year in fashion without talking about her many red carpet looks. But out of all of them, the most notable would have to be when she arrived at the London premiere of Dune: Part Two in a gynoid suit from Thierry Mugler’s fall 1995 couture presentation. ‘I think this was the pinnacle of my career,’ image architect Law Roach told Bazaar earlier this year in an episode of our video series, Fashion Flashback.”—Faith Brown, senior social media editor
Jennifer Lopez in Chloé
“Of all the Chloé girls, J.Lo’s co-sign of Chemena’s Fall/Winter 2024 collection was impossible to miss. It also signaled that boho really is back, but this time in much bigger and dare I say even sexier way.”—Faith Brown, Senior Social Media Editor
Hunter Schaffer in Armani Prive
“My vote goes to Hunter Schafer at Cannes in archive Armani Privé liquid silk organza and a diamond-and-sapphire collar by Chopard. Nothing needs to be added, nothing needs to be taken away…and there are pockets! ”—Jil Derryberry, research chief
Jennifer Lawrence in Givenchy
“At Vanity Fair’s annual Oscars after-party, Jennifer Lawrence looked every bit the Jane Austen heroine in this Regency-inspired dress from Givenchy’s 1996 couture collection. While sheer dresses on the red carpet are nothing new, this piece’s high ruffled collar, empire waistline, and scalloped puff sleeves offered a fresh take on the trend.”—Chelsey Sanchez, editor
Taylor Swift in Schiaparelli
“Gen Z has begun to embrace the watch world with unconventional ways of wearing timepieces: Think blingy chokers, bracelets, and rings impressed with ticking dials. And who better to usher in this fresh era than the Eras queen herself, Taylor Swift? At this year’s Grammy Awards, the empress of pop dazzled in a Schiaparelli gown, set off with a custom black diamond choker by jewelry royalty Lorraine Schwartz, impressed with a Concord watch at the center.”—Jennifer Jenkins, assistant accessories editor
Ariana Grande in Loewe
“As obsessed as I was with all of Ariana Grande’s Wicked press tour looks, I was just as obsessed with her custom Loewe Met Gala look, which paid homage to Glinda in a more subtle way. Everything about her look was on point, from the mother-of-pearl bustier to the 3D crystal ‘fairy wings’ that adorned her eyes. This marked her glorious return to the Met Gala since first attending in 2018 and she certainly did not disappoint.”—Kristina Ang, social video coordinator
Cynthia Erivo in Valentino
“Cynthia Erivo has been painting the town green throughout her Wicked press tour with show-stopping red carpet looks, and she kept the magic alive at the 2024 Red Sea International Film Festival, dazzling onlookers in an emerald brocade gown from Alessandro Michele’s Resort 2025 collection, which kicked off his role at the helm of Valentino. She paired the stunning jeweled-neckline with a glamorous Bulgari diamond necklace and matching statement nails—proving that Wicked style is all in the detail. Pure fashion sorcery!”—Jackie Judd, assistant fashion editor
Anya Taylor Joy in Rabanne
“In a year of method dressing, the spotlight was mainly turned on Zendaya for her showstopping Challengers and Dune: Part Two press looks, as well as Cynthia Erivo and Ariana Grande for their playful Wicked tour, but we mustn’t sleep on Anya Taylor-Joy. While promoting Furiosa: A Mad Max Saga, the actor cooked up a series of stunning fits with stylist Ryan Hastings, most notably this archival Paco Rabanne set from the house’s Spring 1996 Haute Couture collection. Like a fabulous Pinhead from Hellraiser, the chainmail dress and matching headpiece were covered with arrow-like spears that I haven’t been able to stop thinking about for months.”—Joel Calfee, editorial and social media assistant
Hunter Schafer in Prada
“Hunter Schafer was born to wear Prada. She looked like an ethereal dream in this blush-colored sheer gown, which she wore to the 2024 Golden Globes. The wind was a paid extra, blowing the wisps of gauzy fabric on her train in the afternoon light. It was dramatic, it was angelic, it was a moment!”—Olivia Alchek, Senior Designer
Rosalía in Balenciaga
“Rosalia’s personal style is so distinct that I can often predict what items she’ll end up wearing from seeing them on runway. This freaky little Blaneciaga gown feels so like her. The way the train pools around her is so dreamy, and her single sculpted hair curl makes her look very ethereal, like she’s a statuesque Greek goddess on a pedestal but that pedestal is actually just the Latin Grammys red carpet. ”—Tara Gonzalez, senior fashion editor