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Vogue’s guide to the hottest queer Asian fashion labels right now

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For decades, queer culture and fashion have had a relationship of symbiosis. This relationship was catalysed by a desire for resonance and a longing for kinship. Through covert sartorial cues that reflected queerness, communities were formed in societies that marginalised such identities. Arguably the progenitor of this was Irish poet and playwright Oscar Wilde, who famously wore a green carnation on his lapel. This specific accessory remained a subtle symbol of queerness throughout Victorian times, paving the way for more representations of the LGBTQIA+ identity through fashion to come.

From the ’60s onwards, drag culture changed drastically with the advent of Crystal LaBeija, who created the house system for ball culture. The house system established structure within the community, creating more solidarity and visibility for the culture and its fashion leanings. Fueled by the Stonewalls riots, a series of demonstrations against a police raid that persecuted sexual minorities in 1969, the ’70s ushered in a new, hedonistic era of queer culture. American designers like Halston and Stephen Burrows took elements like form-fitting silhouettes and glitzy sequins from their culture into the mainstream fashion landscape. Since then, queerness’s influence on fashion has been cemented in its many facets, be it Thierry Mugler’s camp and drag references, Tom Ford’s sensual designs with sheer and leather or Jeremy Scott’s subcultural Club Kid leanings.

Homages to queer culture such as sequins and body-hugging silhouettes were heavily seen in Halston’s designs.


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Then there’s the new guard, which are today’s queer designers. Jonathan Anderson’s homages to his queerness are evident in his work, from a capsule collection dedicated to drag performer Divine to collaborations with gay erotic artist Tom Of Finland. Ludovic De Saint Sernin’s kink-inspired designs are an unabashed celebration of queer sensuality. Charles Jeffrey melds his Scottish heritage with his Club Kid leanings. Olly Shinder reframes normative workwear through a queer lens by presenting it in soft fabrics.

In this web of queerness in fashion, the intersectionality of race and heritage exists beyond the Eurocentric lens often seen within the landscape. Queer ideas and narratives from Asians are a profoundly important reflection of otherness in fashion and a few brands are leading the charge.

Don’t know where to look for these labels? Below, browse Vogue Singapore‘s list of the hottest queer Asian labels right now.

 

 

 

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